Oktobass is the deepest concert string instrument with a thunderous, room-shaking growl. We’ve used this monstrous beast to create a massive virtual instrument offering over 30 articulations and over 12GB of content. You’ll find plenty of sustains, shorts, dynamic expressions, true legato, creative effects, and hundreds of aleatoric melodic phrases. Part of our Hyperion Symphonic Series, it brings a suite of intuitive options, flexible instruments and inspiring performance features, from intelligent arpeggio and articulation switching to flexible tempo sync and sound-shaping DSP effects, all at your fingertips to make things easy. create brilliantly realistic arrangements.
The first Octobas (also spelled “Octobas”) was built in 1849 by Jean Baptiste Vuillaume, but by the late 1800s it had become a legend, lost but not forgotten for over a century. Then, in 1996, double bassist Nicola Moneta, luthier Pierre Bor and bow maker Piero Cavalazzi constructed the first modern octobass. Over the past 25 years, Moneta has played it in nearly 150 concerts around the world, although it remains one of the few still in existence today.
This 3.48 meter (11.5 ft) tall mammoth is played from a raised platform using a series of mechanical levers to operate the fretboard. The voluminous body of the instrument creates a surprisingly delicate character with intense stereo movement and subtle mechanical ornamentation.
We worked with Giorgio Riolo and Daniele Bertinelli to capture Octobas at the private Moneta Gallery in Milan, Italy. It was recorded using a pair of large diaphragm microphones placed close to the F holes to achieve a dry and intimate sound, and a pair of wide-spaced microphones 2 meters away for a bright and vibrant chamber quality. Microphones can be mixed in real time, and the instrument can be freely placed on our virtual stage with a huge menu of our custom environments, so it’s easy to mix into any arrangement you want. Your creative possibilities are limitless with Hyperion Strings Oktobass!
The Oktobass is the deepest concert string instrument, with a thunderous, room-shaking growl. We’ve sampled this bone-rattling beast to build a massive virtual instrument offering 30+ articulations and over 12GB of content. You’ll find a variety of sustains, shorts, dynamic expressions, true legato, creative effects and hundreds of aleatoric melodic phrases. As part of our Hyperion symphonic series, it provides a suite of intuitive options, flexible tools and inspiring performance features, from intelligent arpeggiation and articulation switching, to flexible tempo-synching and sound-shaping DSP effects, all at your fingertips to make it easy to craft brilliantly life-like arrangements.
The first Oktobass (also spelled “Octobass”) was built in 1849 by Jean Baptiste Vuillaume, but it drifted into legend by the end of the 1800s, lost but not forgotten for over a century. Then in 1996, double bass player Nicola Moneta, luthier Pierre Bohr and bow-maker Piero Cavalazzi constructed the first modern Octobass. Moneta has gone on to play it in nearly 150 concerts around the world over the last 25 years, though it still remains one of only a handful in existence today.
This 3.48 meter (11.5 ft) mammoth is played from a raised platform, using a row of mechanical levers to control the fingerboard. The cavernous instrument body produces a surprisingly nuanced character, with intense stereo movement and subtle mechanical ornamentation.
We worked with Giorgio Riolo and Daniele Bertinelli to capture the Octobass at Moneta’s private gallery in Milan, Italy. It was recorded using a close pair of large-diaphragm mics at the F holes to achieve a dry and intimate sound, and a wide-spaced pair of omnis at 2 meters for a bright and vivid chamber quality. The mics can be blended in real-time, and the instrument can be freely positioned on our virtual stage, featuring a huge menu of our custom environments, so it’s easy to mix into any arrangement you desire. Your creative options are endless with the Hyperion Solo Strings Oktobass!
