mixing / music production / Reverb

Klevgrand – Walls v.1.0 VST, VST3, AAX x64

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Create space for your sound. Some decorate. Others redefine. Walls is a unique and versatile algorithmic spatial effect, an exploration of sound that shatters traditional ideas about what reverb can be. Flexible structure on the verge of texture.

Shape the space for your sound. Stretch it, scale it, tilt it. All sounds are welcome. Six acoustic modes, each with its own character. A clean, responsive interface that invites you to move, not measure.

From grounded realism to curving, impossible geometries, Walls adapts to your sound and how you choose to inhabit it. Shape the room your sound is meant to be in. Or one that has never existed before. From soft, natural reflections to abstract geometries, Walls gives sound a place to be.

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  1. Dream Room
    Set the decay time and room size by dragging the edges up/down and left/right.
  2. Distill Before Processing
    A two-band filter before the signal is processed in the effects engine. Each band has a cut or shelf mode.
  3. Widen, Dampen, Diffuse, Vibe
    A set of controls for manipulating the characteristics of the room in terms of stereo width, brightness and diffusion.
  4. Wobbulation
    A powerful and playful XY pad for modulating the delay time. Can get really wobbly!
  5. Model Operandi
    Walls includes six different room algorithms, covering both realistic acoustic spaces and more spatial creative effects. Spring – from classic spring reverbs to more experimental metallic resonators. Ideal for plucked instruments. Hex – A delay/reverb hybrid suitable for non-reverb effects, granular textures, and abstract sound design. Cosmic – For deep, diffuse soundscapes. Ideal for experimental textures, synths, effects, and percussive sounds. Binary – An intentionally degraded reverb with low realism. For vintage digital ambiences and resonant textures. Plate – Good for general-purpose reverb. Synths, vocals, and percussion sounds, to name a few. Hall – Similar to Plate, but with a larger, more realistic sound. For simulating real acoustic spaces, from small to huge.
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