M Media Audio M Media Bundle 26.10 is a comprehensive collection of professional audio plugins for Windows.
M Media Audio has been working in the professional audio industry since 1994. The plugins are based on real-world mixing and mastering processes, combining proven methods and practical solutions developed over decades of studio work.
Each plugin is designed to effectively solve technical problems, stimulate the creative process, and deliver reliable results in VST3 format.
What’s Included
Warm Repeats
A free multi-head tape echo effect with an independent spring reverb running in parallel rather than on top of it. Three selectable tape heads combine into seven patterns. The feedback conveys real tape vibration and warmth that intensifies with each repeat. The Fresh and Worn control determines how pronounced this character is. Increase Intensity above 100 percent and the feedback begins to truly oscillate.
Thunderbuss Mix
A real processing chain, not a gimmick. Most free bus processors offer one trick. Thunderbuss Mix gives you the whole chain: a variable-gain compressor set to glue, a tube-based saturation stage, and a feedforward limiter that really keeps things low, all reduced to five knobs. A sidechain high-pass filter prevents kick and bass from pumping the rest of the mix.
Room Service
A plate-structured reverb designed to perform like the real steel-framed reverbs it is based on with a fast tight buildup, high frequencies that arrive before the lows, and a tail whose tone develops as it decays. Tube and transistor modes each have their own distinct harmonic characteristics.
Fifth Order
A free dual-channel Class-A vacuum tube preamplifier. Each channel features input and output level controls plus bass and treble controls each with a range of -12 to +12 dB. A built-in always-on sound coloring block gently softens the sound of any signal passing through it.
Iron Deck
A dual-channel tape transport with independent controls for each channel. REC controls nonlinear saturation and natural RMS compression. REP outputs the signal to the other side. Three signal path modes, IEC or NAB playback equalizer, bias adjustment, tape speed shelving, high-frequency roll-off, and calibrated VU meters are available.
The Black Clamp
A dual-channel FET compressor built on the classic JFET topology. The unit consists of two completely independent channels with separate controls for each. The channels can be combined for stereo mode, used independently as dual mono, or switched to M/S mode for bussing and mastering.
Magic Buss
Three cascaded compression stages including FET, VCA, and Vari-Mu, each with its own blend control. Use them all together to give the bus a rich distinctive sound, or disable unnecessary ones. The Order switch lets you change the order of the compressors. A six-band parametric EQ and saturation block are also integrated.
The Mad Scientist
A parallel RMS compressor with even-harmonic saturation built directly into the input stage. A fixed 4:1 ratio ensures musical compression. The Mix knob blends the compressed signal with the dry signal for a natural parallel sound at any setting.
Volume Dealer
A limiter with precise peak level and a full set of BS.1770 LUFS meters. Play a track once, set the target volume, and press Set Level. The corrective gain is applied in a single step. High Quality mode adds 2x oversampling to detect intersample peaks.
Violet Crown
A stereo channel strip built on the EQ and compression that defined the sound of major label bus processing. Three independent EQ bands each with separate boost and cut controls feed the signal to a customizable RMS compressor with automatic attenuation.
Velvet Crush
Monitors six high-frequency ranges relative to the overall signal and corrects them when presence or air is pushed too far forward. Harshness is eliminated before it becomes apparent. High frequencies extend naturally without causing fatigue.
Speaker Breaker
Monitors five low-frequency ranges relative to the overall signal level and automatically makes adjustments if any of them begins to dominate the mix. It is not a limiter but a spectral balance control tool that maintains the correct relationship between sub-bass, kick, and bass.
Alternate Timeline
Six decades of mastery in a single processor. Select an era, set the balance, and fine-tune the tone. Each setting applies the EQ curve, compression behavior, and harmonic profile of the best rooms of that era.
Key Features
13 professional audio plugins
Tape echo with parallel spring reverb
Complete bus processing chain with compressor, saturation, and limiter
Plate-structured reverb with tube and transistor modes
Class-A vacuum tube preamplifier
Dual-channel tape transport
FET compressor with stereo, dual mono, and M/S modes
Three-stage cascaded compression with order switching
Parallel RMS compressor with tube saturation
Loudness limiter with BS.1770 LUFS metering
Stereo channel strip with EQ and RMS compressor
High-frequency correction tool
Low-frequency spectral balance control
Era-specific EQ and compression processing
VST3 format for Windows
Format and Compatibility
Formats: VST3 for Windows.
Compatible with major DAWs including Ableton Live, FL Studio, Cubase, Studio One, Reaper, and Bitwig.
File Size: 64.3 MB
