Audioloom (DSPTone) – SubMass v,1.0.7 VST3, AAX x64

A tool for creating low-frequency bass resonance

SubMass is designed to solve the most challenging mixing challenge: achieving massive, powerful bass that remains perfectly tight, clear, and focused. In standard mixing, boosting the bass with a traditional EQ often results in unwanted sub-bass distortion, robbing the mix of headroom, and creating a flabby, uncontrolled low end. SubMass solves this problem with a specialized interactive filtering circuit. It creates a tight, resonant volume peak right at your chosen target frequency while simultaneously performing aggressive high-frequency limiting.

An instant psychoacoustic illusion of weight, power and authority

It reproduces perfectly in any acoustic system without creating unnecessary low-frequency noise.

Every sound engineer knows the problem they face: a bass line that sounds powerful when played solo, but disappears on small speakers.
A kick drum that cuts through but lacks weight.
A synthesizer that booms but eats up all the space.

SubMass is inspired by the legendary Little Labs™ Voice of God 500 Series—an analog “bass resonator” designed to restore, enhance, and reimagine low-frequency content.
Unlike instruments that utilize subharmonic synthesizers or artificial harmonic distortion, SubMass FX delivers powerful low frequencies solely through precision resonant solid-state filtering.
What does it fix?

• Weak low frequencies: instruments lacking fundamental expression.
• Muddy mixes: resonant buildup that distorts sound up to 250 Hz.
• Monitoring translation: bass that is only noticeable on subwoofers.
• Unstable sustain: notes die away before a groove can form.

How to make bass instruments sound bigger, clearer, and ready for mixing

A simple low-pass filter and equalizer is static…

But SubMass is dynamic in its perception, enhancing what’s already there.
Whether you’re dealing with thin DI bass or an 808 lacking in depth, SubMass delivers analog-like low-end control in a pure digital format.

It is inspired by hardware.

The secret weapon of leading sound engineers.

Little Labs’ original Voice of God (VOG)™ technology arose out of a practical need in high-end recording studios.
Originally developed as a specialized tool for correcting weak voices in voiceover and broadcasting, giving announcers an authoritative, radio-ready “divine” timbre, audio engineers quickly recognized its enormous potential for music production.

Upon its release, it became the secret weapon of leading drum and bass mixers. It added weight to low-frequency sounds with a completely clean, solid-state signal path.
It didn’t rely on transformers to saturate or generate spurious subharmonics.
It worked solely through a finely tuned, highly interactive resonant filter circuit.