DDMF – MagicDeathEye v1.0.8 VST, VST3
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DDMF – MagicDeathEye v1.0.8 VST, VST3

Everyone who ever had the opportunity to listen to the MagicDeathEye compressor was amazed at its sound. Carefully developed by Mr. Jan Sefczyk (mastering engineer at Capitol Records), this tube compressor circuitry is loosely based on the Fairchild 660. It is a variable gain compressor that sounds just as great on your mastering bus as…

Leapwing Audio – Bundle 2019 VST, VST3, AAX x64 Rev2
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Leapwing Audio – Bundle 2019 VST, VST3, AAX x64 Rev2

CenterOne v2.6 allows you to move the phantom center in a stereo signal forward or backward without changing the position of the paned signals. DynOne v2.4 was designed with fixed bands so you can literally mix the compressed signal. DynOne has minimum and maximum values ​​for attack and release and applies variable synchronization values ​​depending…

Imaginando – K7D v1.0.2 VST
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Imaginando – K7D v1.0.2 VST

K7D is a powerful and affordable plug-in with the old tape delay effect for desktop computers and iOS. The K7D recreates the hardware echo machines of the past using Imaginando’s signature style of intrusive analog emulation, but with an improved level of control thanks to a sleek, modern interface. Using this approach opens up a whole new…

Devious Machines – Pitch Monster v1.0.18 VST
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Devious Machines – Pitch Monster v1.0.18 VST

Under the streamlined exterior of Pitch Monster is an absolute monster, capable of 64 voices distorting the sound of madness. Turn solo vocals into a beautiful chorus or robot melody; turn monosynthesis into an orchestra or your own familiar voice into the rumbling vibrations of Thor, the God of thunder. Thanks to its granular, formant…

Devious Machines – Texture v1.5.15 VST, AAX
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Devious Machines – Texture v1.5.15 VST, AAX

Texture synthesizes new layers that track the dynamics of your sound. Want to “glue” your hi-hat transients by adding dynamic filtered noise? Or how about amplifying the drum by automatically adding a low sine wave? Texture makes it easy, intuitive and fast. • Over 340 sampled, granular and generative sound sources • Advanced envelope with…

Devious Machines – Duck v1.0.13 VST, VST3, AAX
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Devious Machines – Duck v1.0.13 VST, VST3, AAX

Ducking, or compression in the side chain, is one of the defining effects of modern music. From classic house to modern EDM, the Daft Punk, Noisia and Eric Prydz tracks exude this pumping effect. So, whether you make house or broken beats, Duck creates an effect in seconds. Duck makes it easy to create individual…

Devious Machines – Duck v1.0.11 VST, VST3, AAX x86 x64 – sidechain
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Devious Machines – Duck v1.0.11 VST, VST3, AAX x86 x64 – sidechain

Ducking, or compression in the side chain, is one of the defining effects of modern music. From classic house to modern EDM, the Daft Punk, Noisia and Eric Prydz tracks exude this pumping effect. So, whether you make house or broken beats, Duck creates an effect in seconds. Duck makes it easy to create individual…

Soundtheory – Gullfoss v1.4.0 x64 VST, VST3, AAX
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Soundtheory – Gullfoss v1.4.0 x64 VST, VST3, AAX

Gullfoss uses a patented process of “computational technology of auditory perception”, which sets up your audio in real time. According to the developer, the goal is to improve clarity, detail, spatiality and balance. No iLok Driver is required to run. Our release loads faster and uses less memory than original.

Pulsar Audio – Mu v1.0.3 VST, VST3, AAX x86 x64
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Pulsar Audio – Mu v1.0.3 VST, VST3, AAX x86 x64

The most accurate emulation of a modern but legendary tubular compressor / limiter is the perfect glue for mixing and mastering. Thanks to its unique topology preservation technology, Pulsar Mu sounds objectively identical to the hardware in every production context and even makes improvements such as an increased signal to noise ratio.

Pulsar Audio – Echorec v1.1.3 VST, VST3, AAX
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Pulsar Audio – Echorec v1.1.3 VST, VST3, AAX

Pulsar Echorec is a software emulation of the legendary eponymous echo / delay device of the same name, manufactured by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay is different from the magnetic tape delays that were used at that time, and greatly contributed to the sound signature of…